The two time zones criss-cross interestingly, leaving enough suspense to keep the viewer attentive. Loosely inspired by Christopher Nolan's Memento, the film moves back and forth in time, as it juxtaposes an effervescent romance in the past against a brutalised, spaced-out present. The other place where the film scores is in its narration. Only because she thinks he's a struggling model who might just be ready to shoot for a ‘chaddi' ad in his desperation. Not much to go by, specially when the bad guys (Pradeep Rawat and co.) choose to erase most of the clues, including his tattoos.Īamir scores not only as the action hero, where he brings back old-fashioned physical combat to Bollywood guts and gore, but he impresses as the diffident biz honcho too who is willing to travel in buses and scootys with his buoyant Ms Congeniality. All he has to help him in his mission are a few scrawls on his body, his walls, his unfinished diaries, his polaroid snapshots, his fading memory cells and a friendly medical student (Jiah Khan). Even though, he might just forget what he's doing while battering them. A man who suffers from short term memory loss must not only remember the horror of his past, but seek out his beloved's (Asin) killers too and finish them off. And yet, he speaks volumes - with his silences, his expressions, his body language, his helplessness, his guttural, anguished shrieks and then his vacant stare again. Roars and grunts, included! Aamir has hardly anything to say in the entire film. The high point of Ghajini is Aamir Khan's class act of the hero who switches from a shy, taciturn tycoon who finds love in the alley - with an ekdum ordinary girl - to a vulnerable killing machine who mauls his prey like a wounded tiger. Of course, his wounded, battered, bicep-laden, revenge-thirsty Sanjay Singhania of Ghajini is a much more mature and masterly rendition of the familiar action hero of mainstream masala.
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And he does it with the same earnestness with which he made a Ghulam, a Sarfarosh. He waltzes back to the no-holds-barred formula, once again. With Ghajini, he once again does a U-turn.
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The actor not only made his directorial debut with the film, but also displayed a newfound desire to dabble with meaningful cinema, after attaining a career-high in regular mainstream glitz. Taare Zameen Par saw his zeal taking on new colours. Aamir Khan always knew the importance of being earnest, ever since his Qayamat Se Qayamat Tak days.